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Second issue of editorial series Fondazione Bonotto Documenti

What are the constituent elements of Experimental Poetry and how do they interact with each other?
How do you read Concrete Poetry? And Visual Poetry?
What are the structural rhythmic dynamics of Sound Poetry?
Through a series of in-depth information sheets, the result of many years of research, the volume intends to answer these questions by providing the minimum elements for a first approach to reading some important works in these areas of poetic experimentation.
Animated by a popular didactic spirit, each sheet that makes up the volume offers a brief general introduction to the artist's work and then focuses on a particularly significant work from the vast Bonotto Collection.

Works by: Vincenzo Accame, Alain Arias-Misson, Nanni Balestrini, Mirella Bentivoglio,
Julien Blaine, Jean-François Bory, Joan Brossa, Ugo Carrega, Luciano Crauso, Henri Chopin,
Carlfriedrich Claus, Augusto De Campos, Paul De Vree, Ian Hamilton Finlay,
Giovanni Fontana, Claudio Francia, Ilse Garnier, Pierre Garnier, Jochen Gerz,
John Giorno, Eugen Gomringer, Bernard Heidsieck, Dick Higgins, Dom Sylvester Houedard,
Kitasono Katué, Jiri Kolar, Richard Kostelanetz, Ferdinand Kriwet, Ketty La Rocca,
Arrigo Lora Totino, Jackson Mac Low, Lucia Marcucci, Stelio Maria Martini, Eugenio Miccini,
Franz Mon, Giulia Niccolai, Sei'ichi NIkuni, Ladislav Novak, Luciano Ori, Clemente Padin,
Michele Perfetti, Lamberto Pignotti, Giovanna Sandri, Sarenco, Adriano Spatola, Luigi Tola,
Timm Ulrichs, Patrizia Vicinelli, Rodolfo Vitone, Emmett Williams.

Danilo Montanari Editore