Commentario for Luigi Bonotto

Published by the artist for Luigi Bonotto in 1991
Special edition of "Commentario", No. PV1016

For each "model of use" there are one or more works
created by the artist as example:

- Model 1: Abstract poems (1958):
                 "Gòna intàr sia gòna, 1991", No. 0956
- Model 2: Babebisms (1958):
                 "Untitled, 1991", No. 0957
- Model 3: Sound Strip Poem (1959):
                 "Su esso notato, 1991", No. 0958
- Model 4: Symbiotic writing (1960):
                 "Untitled, 1991", No. 0959
- Model 5: Long propositions (1962):
                 "Nessuno ha mai affermato, 1991", No. 0960
- Model 6: Semantic complication (1962):
                 "Amore, 1991", No. 0961
- Model 7: Material poems (1963):
                 "L'incombusta energia dell'essere, 1991", No. 0962
- Model 8: Material tales (1963):
                 "L'orologio, 1991", No. 0963
- Model 9: Shrunken Papers (1963):
                 "Untitled", No. 0964
- Model 10: Bidirectional alphabet (1963):
                  "Condor, 1991", No. 0965
- Model 11: Research on the shape of the letters (1963):
                   "A, 1991", No. 0966
- Model 12: Writing by tiles (1963):
                   "Untitled,1991", No. 0967
- Model 13: Captions (1964):
                   "Untitled, 1991", No. 0968
- Model 14: Modified texts (1964):
                   "Untitled, 1991", No. 0969
- Model 15: Manual permutors (1964):
                   "Giocare è fare esperienze con il caso, 1980", No. 0970
- Model 16: Equivalences (1965):
                   "Splash !, 1991", No. 0971
- Model 17: Added sentence (1965):
                   "Nessuno ha il coraggio, 1991" , No. 0972
- Model 18: Mechanical sentence (1965):
                   "La libertà è dell'uomo, 1991", No. 0973
- Model 19: Page as writing (1966):
                   "Untitled, 1991", No. 0974
- Model 20: Weldings (1966):
                   "Mente Mano Donna Uomo, 1991", No. 0975
- Model 21: Accumulated glasses (1966):
                   "Motivo centrale, 1978", No. 0976
- Model 22: Glasses (transparencies) (1966):
                   "Ogni luogo è pese, 1966", No. 0977
- Model 23: Glasses (chips) (1966):
                   "Pieno di sé, 1975", No. 0978
- Model 24: Drip (1967):
                   "Dove sono finiti gli istiniti?, 1991", No. 1194
- Model 25: Mobilpoems (1967):
                   "Piano paino si ferma, 1991", No. 0980
- Model 26: Talk about things (1967):
                    "Untitled, 1991", No. 0981
- Model 27: Typescript canvas (1967):
                   "Fitto lo stato delle emozioni, 1991", No. 0982
- Model 28: Cakes (1967):
                   "Dove?, 1978", No. 0983
- Model 29: Transparent books (1968):
                   "Il narcisismo della trasparenza, 1991", No. 0984
- Model 30: Stones (1968):
                   "Mano, 1973", No. 0985
- Model 31: Extract/Abstract (1968):
                   "All'interno del sistema, 1991", No. 0986
- Model 32: Mobil texts (1968):
                   "Testo mobile, 1991", No. 0987
- Model 33: Material books (1968):
                   "Il senso del reale (La Cosa), 1991", No. 0988
- Model 34: Boxes (1968):
                   "Coitarium bicuspide, 1968", No. 0989
- Model 35: On the light's dark (1970):
                   "Untitled, 1991", No. 0990
- Model 36: Photopoems (1970):
                   "Io c'ero. Dove?, 1991", No. 0991
- Model 37: In six words (1971):
                   "Cosmo, 1991", No. 0992
- Model 38: Colour's metaphors on word cosmos  (1971):
                   "Uomo Donna Mano Tempo, 1991", No. 0993
- Model 39: Solar Amoebas(1971):
                   "Io sono dove mi hanno messo
                    in nascita, 1991", No. 0994
- Model 40: Chance readings (1972):
                   "Chance readings box, 1991", No. 0995
- Model 41: Poetic planning (1972):
                   "Lo stato inutile di certe cose, 1991", No. 0996
- Model 42: Verbal exercices (1973):
                   "Esercizi del Verbale, 1991", No. 0997
- Model 43: Cosmogony (1975):
                   "Untitled, 1991", No. 0998
- Model 44: Contraposition (1976):
                   "Punto ! ? 1991", No. 0999
- Model 45: Three semantic levels (1976):
                    "Lo spessore come presenza, 1991", No. 1000
- Model 46: Reliefs (1978):
                   "Io sono dove mi assomiglia, 1991", No. 1001
- Model 47: Metals (tins) (1978):
                   "Meccanica Mente, 1981", No. 1002
- Model 48: Typo-graphies (1978):
                   "Questa forma esplode, 1988", No. 1003
- Model 49: Stele (1979):
                   "Io Qui Adesso, 1991", No. 1004
- Model 50: Claies (chalks) (1979):
                   "Io traccio confini, 1991", No. 1005